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Cherbourg at ICA - 02/09/09
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Good thing too really, because the audience had to struggle through three supports acts before Cherbourg took to the stage. We caught the dying mintues of the first act who seemed, albeit from a very tiny glimpse, like a forgettable male singer-songwriter with little to set himself apart from the dross of that scene. He was followed by Larsen B, a four piece outfit of guitar, bass, keyboard and drums who used this very regular format to produce some very regular music. Their music was not bad, per se, just dull and uninspiring (which, to be honest, is not much better).
Kurran and the Wolfnotes have been getting a fair amount of praise and press recently, and they certainly seemed like they would be interesting as they set up their glockenspiel and harmonium on stage. However once the music started they didn't seem to quite meet the expectations that been set for them. Perhaps it was the mixing - said glockenspiel and harmonium were almost undetectable - or perhaps it was the rather whiney emo-boy strains of the band's music, but despite their energy, I was not converted to the Wolfnote way.
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It was, of course, the well-loved classics (if that word can apply here) that got the audience going. They played 'Horses' from Last Chapter of Dreaming half way through their set, and - in response to a very demanding lady in the crowd - 'The Mill'. Leaving, however, the best til last, there was plenty of slightly awkward folk dancing for the rousing 'Never Love Again', which left the crowd baying for more. The band didn't oblige though, claiming that "encores are for losers". This was, according to lead singer Andrew Davie, one of the best nights of their lives, and from the way the audience responded to them, you can imagine why, but as much as I enjoyed it, I couldn't help but feel a little disappointed by some of what I'd heard. Let's just hope that Cherbourg don't lose what makes them unique.
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